[POV: Yoji]
At 1:07 a.m., Yoji’s phone buzzed across the lab bench like it wanted to jump off and die.
He had been soldering a data-logger until his eyes felt grainy. The fluorescent lights had turned the white walls unreal: too clean, too flat, like a set he didn’t belong on. He’d walked to the convenience store for dinner, downed bitter canned coffee to keep moving, and come back with damp paper stuck to his fingers from the cup’s sweat.
Now the message header read: Kikurin.
The icon was a face in heavy makeup under shock-blond hair. The name beside it was the same old handle from high school—the one she’d screamed across classrooms like a war cry.
Kikurin: Yoji! You alive?
A second message landed before he typed.
Kikurin: You used to be movie club, right?
The words hit lower than they should have.
Movie club—tripods in the corner of a classroom, bargain cameras, friends acting like idiots in slow motion while Yoji framed shots like it mattered. Back then he’d told himself, half serious, that he’d make films. At some point he’d packed that dream away like a lab tool he didn’t need anymore.
He stared until the screen dimmed, then forced his thumbs to move.
Yoji: Alive. What’s up?
The reply came in a rush.
Kikurin: I need you to help with a shoot. For real. Kikurin: I’m going to this inn in Tohoku. People say a ghost shows up. Kikurin: I want your eye. Setup, framing, pacing—anything. Please.
Yoji laughed once, quiet. Even through text, she dragged the air into her tempo. She’d always done that. Kick a desk, grin too wide, decide something and make everyone else orbit her.
Yoji’s orbit had shrunk to a lab, a supervisor’s moods, and a future he kept postponing with “later.”
Her messages were bright enough to hurt.
He still typed:
Yoji: When?
A flood of dancing-cat stickers arrived like fireworks.
Kikurin: Next weekend! Sat/Sun!
Kikurin: No real pay but I cover travel + food.
Kikurin: And hot springs!!
Hot springs. The word loosened something in his chest. His body wanted warmth more than his brain wanted logic.
Saying yes wasn’t rational. Then again, rational hadn’t been doing him any favors.
Kikurin was already bouncing at the station when Yoji arrived.
In person she looked like the same delinquent-glam vibe turned adult: a little soft around the edges, dyed blond, pretty in a way that didn’t try to be refined. The camera loved her. Real life did too—her features were sharper than his memory.
He’d “studied” her channel before coming. She wore loud clothes, used loud words, pushed into “haunted” places while chat egged her on. But she wasn’t just reckless. She knew how to be afraid on cue—how to let fear show without faking it. That was the trick. Fear was entertainment when the screen kept it safe.
Yoji understood that.
And still he came. Maybe because the part of him that cared about shots and cuts hadn’t died. It had just been buried under coursework and excuses.
The inn was deeper in the mountains than the map suggested. Snow swallowed the road. The lane narrowed, white on white, the world losing distance until everything felt too close.
They unloaded a surprising amount of gear from the rented SUV—Kikurin owned it all, bought with views and sponsorships—then waded through knee-high snow to the entrance.
The building was old. Wood scent, damp warmth, a lobby that felt almost wrong because it was so cozy. There were barely any other guests. Silence pooled in corners like dust.
Stolen novel; please report.
Kikurin spun in place with her camera already rolling, whispering for effect.
“Guys. Guys. This place is so sketch. Look at this hallway—look at that mirror—why is that painting staring at me—”
Then she found it: a door beside the public bath corridor, wrapped in red tape like a crime scene.
She angled the lens in, voice dropping.
“Tell me this isn’t sealed. Tell me.”
Yoji gave her a dry look. “Don’t.”
“I’m not going in,” she said, smiling like a liar. “Relax.”
The tape wasn’t just decoration. Something about it made Yoji’s skin tighten. Like the building had decided that door mattered.
A moment later new guests arrived—young couple. The woman recognized Kikurin and squealed. Kikurin turned on her charm and signed with a flourish, laughing while Yoji watched the red-taped door in his peripheral vision.
He hated that his attention kept sliding back to it.
Snowy nights ate sound.
Footsteps, voices, the soft creak of old floors—everything came muffled, like it had to push through a thin wet film before reaching your ears.
After midnight Kikurin stopped in front of the taped door again. She killed most of the light, leaving only the camera’s low glow. The hallway’s darkness thickened around them.
Yoji leaned close, voice low. “Don’t mess with it.”
“I said I won’t,” she whispered back, giggling. But her fingers brushed the edge of the tape, tracing it like a dare.
The air dropped a degree.
Not a metaphor. Not mood. A clean, physical chill that crawled over Yoji’s knuckles.
Steam drifted from the bath area. In that moving fog, something shifted.
Yoji narrowed his eyes, trying to force sense onto the blur. Steam did weird things. Reflections did weird things. Low light made humans invent shapes that weren’t there.
His brain lined up explanations like shields.
Then the camera caught it anyway.
Far down the corridor, at the edge of a mirror, in the dark throat of the passage that led outside—something white slid into view and vanished.
It had the outline of a person. Black strands like hair. A pale garment bleeding into the haze like snow dissolved in water.
The sensor couldn’t keep up. The image broke into grain, and the grain made the thing look more real.
Yoji wanted to call it a trick of optics. He wanted it hard enough that his jaw hurt.
Kikurin didn’t care about explanations. Her face lit up like a kid who’d found a rare card in the dirt.
“Did you see that? Did you see that? That was real!”
Her excitement scraped at Yoji’s nerves. Someone’s death, someone’s pain, turning into content. He felt the disgust, and then felt it swing back at himself.
He was holding the camera too.
Back in their room they scrubbed through the footage. The white shape appeared for less than a second.
What hit harder was the audio.
Right as the shape moved, the sound warped. Not the dry hiss of a cheap mic. Something wet and breathy, like a mouth too close.
And under it—a child’s voice, faint but clear enough to understand.
“…Come here.”
Kikurin shivered and smiled at the same time.
Yoji didn’t smile. Words closed escape routes. A blurry shape could be anything. A voice that meant something pinned you in place.
Kikurin’s grin faltered. “Hey. We need someone to explain this. Like those old occult shows. Logical, but with a little “dream energy.””
“Dream energy.” The phrase made Yoji want to rub his eyes.
He still thought of Professor Yoda.
Professor Yoda was “Professor” the way a retired soldier was still “Captain.” Officially he’d stepped down. Unofficially he haunted the far end of the research building, in a tiny office students avoided. The glass on his door stayed fogged. The nameplate was worn down. Inside smelled like paper, machine oil, and old samples.
Yoji had stumbled into one of Yoda’s classes once—one student in the room, Yoji, because nobody else bothered. Afterward Yoji had blurted, for reasons he couldn’t explain, “Do you need help with anything?”
Since then, he’d visited.
Yoda believed water could remember—could store a trace.
Most physicists treated atoms and molecules as interchangeable pieces. Same element, same behavior. Convenient. Clean.
Yoda didn’t like clean.
“‘Identical’ is a useful assumption,” the old man had told him once. “Assumptions aren’t reality. People who talk like they’ve finished the world are arrogant.”
He’d held up a container of ice. Under the light the crystal patterns looked almost like writing.
“Water changes structure even without a phase transition. Each change collects information—heat, pressure, fields, contact. I think the collected trace never fully disappears. And if a human trace mixed in… what then?”
Yoji had made a noncommittal sound and changed the subject, because Yoda’s eyes were too sharp when he talked like that.
Now, with Kikurin asking for “logic with dream energy,” Yoji found himself texting the professor.
Yoda replied with a simple: Bring the footage.
They filmed in Yoda’s cramped office, Kikurin’s camera pointed at an old man in a worn sweater instead of a lab coat. His hair stuck out, glasses crooked, eyes bright.
Yoda explained like he was showing off a magic trick he’d built in secret.
“Ghosts are easy to dismiss as superstition,” he said. “But if ‘memory’ accumulates in water molecules, then under the right conditions it can crystallize and become visible. Snow is crystal. Mist is water. Steam is water.”
Kikurin leaned in, nodding hard. Live comments streamed on her screen; stickers popped; people typed, “Professor is cool,” and “Is this quantum??”
Yoda ignored the chaos. “That inn had deep snow, cold air, and hot springs. Phase changes were constant. Conditions aligned. When alignment happens, memory takes shape. What you recorded may not have been random noise. It may have been a crystallized trace.”
Trace.
He didn’t call it a ghost. He called it a trace, like a lab residue you couldn’t wash off. The word was worse. A ghost could be folklore. A trace meant someone had been there.
Yoda’s voice lifted with excitement. “And the memory interacts with the water inside the observer. Humans are made of water. If resonance happens, the phenomenon strengthens.”
He smiled, delighted with himself.
Kikurin clapped. Chat exploded.
Yoji sat behind the monitors, throat tight.
If this was “experiment,” then the viewers weren’t just an audience. They were material.
And experiments wanted results. Results wanted more.
Danger always wore the face of interesting.
That night Yoji couldn’t sleep. Every time he closed his eyes, the corridor’s white haze filled his head.
“…Come here,” the child’s voice whispered, close enough to wet his ear.
The worst part: a small, ugly corner of him looked forward to the next shoot.

