A Funeral in Madrid

Doce días son pasados
después que el Cid acabára
aderézanse las gentes
para salir a batalla
con Búcar ese rey moro
y contra la su canalla.
Cuando fuera media noche
el cuerpo así como estaba
le ponen sobre Babieca
y al caballo lo ataban.

I

AND when the army sailed out of Valencia the Moors of King Bucar fled before the dead body of the Cid and ten thousand of them were drowned trying to scramble into their ships, among them twenty kings, and the Christians got so much booty of gold and silver among the tents that the poorest of them became a rich man. Then the army continued, the dead Cid riding each day's journey on his horse, across the dry mountains to Sant Pedro de Cardeña in Castile where the king Don Alfonso had come from Toledo, and he seeing the Cid's face still so beautiful and his beard so long and his eyes so flaming ordered that instead of closing the body in a coffin with gold nails they should set it upright in a chair beside the altar, with the sword Tizona in its hand. And there the Cid stayed more than ten years.

Mandó que no se enterrase
sino que el cuerpo arreado
se ponga junto al altar
y a Tizona en la su mano;
así estuvo mucho tiempo
que fueron más de diez años.

In the pass above people were skiing. On the hard snow of the road there were orange-skins. A victoria had just driven by in which sat a bored inflated couple much swathed in furs.

"Where on earth are they going?"

"To the Puerta de Navecerrada," my friend answered.

"But they look as if they'd be happier having tea at Molinero's than paddling about up there in the snow."

"They would be, but it's the style . . . winter sports . . . and all because a lithe little brown man who died two years ago liked the mountains. Before him no madrileño ever knew the Sierra existed."

"Who was that?"

"Don Francisco Giner."

That afternoon when it was already getting dark we were scrambling wet, chilled, our faces lashed by the snow, down through drifts from a shoulder of Siete Picos with the mist all about us and nothing but the track of a flock of sheep for a guide. The light from a hut pushed a long gleaming orange finger up the mountainside. Once inside we pulled off our shoes and stockings and toasted our feet at a great fireplace round which were flushed faces, glint of teeth in laughter, schoolboys and people from the university shouting and declaiming, a smell of tea and wet woolens. Everybody was noisy with the rather hysterical excitement that warmth brings after exertion in cold mountain air. Cheeks were purple and tingling. A young man with fuzzy yellow hair told me a story in French about the Emperor of Morocco, and produced a tin of potted blackbirds which it came out were from the said personage's private stores. Unending fountains of tea seethed in two smoke-blackened pots on the hearth. In the back of the hut among leaping shadows were piles of skis and the door, which occasionally opened to let in a new wet snowy figure and shut again on skimming snow-gusts. Everyone was rocked with enormous jollity. Train time came suddenly and we ran and stumbled and slid the miles to the station through the dark, down the rocky path.

In the third-class carriage people sang songs as the train jounced its way towards the plain and Madrid. The man who sat next to me asked me if I knew it was Don Francisco who had had that hut built for the children of the Institución Libre de Inseñanza. Little by little he told me the history of the Krausistas and Francisco Giner de los Ríos and the revolution of 1873, a story like enough to many others in the annals of the nineteenth century movement for education, but in its overtones so intimately Spanish and individual that it came as the explanation of many things I had been wondering about and gave me an inkling of some of the origins of a rather special mentality I had noticed in people I knew about Madrid.

Somewhere in the forties a professor of the Universidad Central, Sanz del Río, was sent to Germany to study philosophy on a government scholarship. Spain was still in the intellectual coma that had followed the failure of the Cortes of Cadiz and the restoration of Fernando Septimo. A decade or more before, Larra, the last flame of romantic revolt, had shot himself for love in Madrid. In Germany, at Heidelberg, Sanz del Río found dying Krause, the first arch-priest who stood interpreting between Kant and the world. When he returned to Spain he refused to take up his chair at the university saying he must have time to think out his problems, and retired to a tiny room--a room so dark that they say that to read he had to sit on a stepladder under the window in the town of Illescas, where was another student, Greco's San Ildefonso. There he lived several years in seclusion. When he did return to the university it was to refuse to make the profession of political and religious faith required by a certain prime minister named Orovio. He was dismissed and several of his disciples. At the same time Francisco Giner de los Ríos, then a young man who had just gained an appointment with great difficulty because of his liberal ideas, resigned out of solidarity with the rest. In 1868 came the liberal revolution which was the political expression of this whole movement, and all these professors were reinstated. Until the restoration of the Bourbons in '75 Spain was a hive of modernization, Europeanization.

Returned to power Orovio lost no time in republishing his decrees of a profession of faith. Giner, Ascárate, Salmerón and several others were arrested and exiled to distant fortresses when they protested; their friends declared themselves in sympathy and lost their jobs, and many other professors resigned, so that the university was at one blow denuded of its best men. From this came the idea of founding a free university which should be supported entirely by private subscription. From that moment the life of Giner de los Ríos was completely entwined with the growth of the Institución Libre de Inseñanza, which developed in the course of a few years into a coeducational primary school. And directly or indirectly there is not a single outstanding figure in Spanish life to-day whose development was not largely influenced by this dark slender baldheaded old man with a white beard whose picture one finds on people's writing desks.

. . . Oh, sí, llevad, amigos,
su cuerpo a la montaña
a los azules montes
del ancho Guadarrama,

wrote his pupil, Antonio Machado--and I rather think Machado is the pupil whose name will live the longest--after Don Francisco's death in 1915.

. . . Yes, carry, friends
his body to the hills
to the blue peaks
of the wide Guadarrama.
There are deep gulches
of green pines where the wind sings.
There is rest for his spirit
under a cold live oak
in loam full of thyme, where play
golden butterflies . . .
There the master one day
dreamed new flowerings for Spain.

These are fragments from an elegy by Juan Ramon Jiménez, another poet-pupil of Don Francisco:

"Don Francisco. . . . It seemed that he summed up all that is tender and keen in life: flowers, flames, birds, peaks, children. . . . Now, stretched on his bed, like a frozen river that perhaps still flows under the ice, he is the clear path for endless recurrence. . . . He was like a living statue of himself, a statue of earth, of wind, of water, of fire. He had so freed himself from the husk of every day that talking to him we might have thought we were talking to his image. Yes. One would have said he wasn't going to die: that he had already passed, without anybody's knowing it, beyond death; that he was with us forever, like a spirit.

Round El Pardo the evergreen oaks, encinas, are scattered sparsely, tight round heads of blue green, over hills that in summer are yellow like the haunches of lions. From Madrid to El Pardo was one of Don Francisco's favorite walks, out past the jail, where over the gate is written an echo of his teaching: "Abhor the crime but pity the criminal," past the palace of Moncloa with its stately abandoned gardens, and out along the Manzanares by a road through the royal domain where are gamekeepers with shotguns and signs of "Beware the mantraps," then up a low hill from which one sees the Sierra Guadarrama piled up against the sky to the north, greenish snow-peaks above long blue foothills and all the foreground rolling land full of clumps of encinas, and at last into the little village with its barracks and its dilapidated convent and its planetrees in front of the mansion Charles V built. It was under an encina that I sat all one long morning reading up in reviews and textbooks on the theory of law, the life and opinions of Don Francisco. In the moments when the sun shone the heat made the sticky cistus bushes with the glistening white flowers all about me reek with pungence. Then a cool whisp of wind would bring a chill of snow-slopes from the mountains and a passionless indefinite fragrance of distances. At intervals a church bell would toll in a peevish importunate manner from the boxlike convent on the hill opposite. I was reading an account of the philosophical concept of monism, cudgelling my brain with phrases. And his fervent love of nature made the master evoke occasionally in class this beautiful image of the great poet and philosopher Schelling: "Man is the eye with which the spirit of nature contemplates itself"; and then having qualified with a phrase Schelling's expression, he would turn on those who see in nature manifestation of the rough, the gross, the instinctive, and offer for meditation this saying of Michelet: "Cloth woven by a weaver is just as natural as that a spider weaves. All is in one Being, all is in the Idea and for the Idea, the latter being understood in the way Platonic substantialism has been interpreted . . ."

In the grass under my book were bright fronds of moss, among which very small red ants performed prodigies of mountaineering, while along tramped tunnels long black ants scuttled darkly, glinting when the light struck them. The smell of cistus was intense, hot, full of spices as the narrow streets of an oriental town at night. In the distance the mountains piled up in zones olive green, Prussian blue, ultra-marine, white. A cold wind-gust turned the pages of the book. Thought and passion, reflection and instinct, affections, emotions, impulses collaborate in the rule of custom, which is revealed not in words declared and promulgated in view of future conduct, but in the act itself, tacit, taken for granted, or, according to the energetic expression of the Digest: rebus et factis. Over "factis," sat a little green and purple fly with the body curved under at the table. I wondered vaguely if it was a Mayfly. And then all of a sudden it was clear to me that these books, these dusty philosophical phrases, these mortuary articles by official personages were dimming the legend in my mind, taking the brilliance out of the indirect but extraordinarily personal impact of the man himself. They embalmed the Cid and set him up in the church with his sword in his hand, for all men to see. What sort of legend would a technical disquisition by the archbishop on his theory of the angle of machicolations have generated in men's minds? And what can a saint or a soldier or a founder of institutions leave behind him but a legend? Certainly it is not for the Franciscans that one remembers Francis of Assisi.

And the curious thing about the legend of a personality is that it may reach the highest fervor without being formulated. It is something by itself that stands behind anecdotes, death-notices, elegies.

In Madrid at the funeral of another of the great figures of nineteenth century Spain, Pérez Galdós, I stood on the curb beside a large-mouthed youth with a flattened toadlike face, who was balancing a great white-metal jar of milk on his shoulder. The plumed hearse and the carriages full of flowers had just passed. The street in front of us was a slow stream of people very silent, their feet shuffling, shuffling, feet in patent-leather shoes and spats, feet in square-toed shoes, pointed-toed shoes, alpargatas, canvas sandals; people along the sides seemed unable to resist the suction of it, joined in unostentatiously to follow if only a few moments the procession of the legend of Don Benito. The boy with the milk turned to me and said how lucky it was they were burying Galdós, he'd have an excuse for being late for the milk. Then suddenly he pulled his cap off and became enormously excited and began offering cigarettes to everyone round about. He scratched his head and said in the voice of a Saul stricken on the road to Damascus: "How many books he must have written, that gentleman! ¡Cáspita! . . . It makes a fellow sorry when a gentleman like that dies," and shouldering his pail, his blue tunic fluttering in the wind, he joined the procession.

Like the milk boy I found myself joining the procession of the legend of Giner de los Ríos. That morning under the encina I closed up the volumes on the theory of law and the bulletins with their death-notices and got to my feet and looked over the tawny hills of El Pardo and thought of the little lithe baldheaded man with a white beard like the beard in El Greco's portrait of Covarrubias, who had taught a generation to love the tremendous contours of their country, to climb mountains and bathe in cold torrents, who was the first, it almost seems, to feel the tragic beauty of Toledo, who in a lifetime of courageous unobtrusive work managed to stamp all the men and women whose lives remotely touched his with the seal of his personality. Born in Ronda in the wildest part of Andalusia of a family that came from Vélez-Málaga, a white town near the sea in the rich fringes of the Sierra Nevada, he had the mental agility and the sceptical tolerance and the uproarious good nature of the people of that region, the sobriety and sinewiness of a mountaineer. His puritanism became a definite part of the creed of the hopeful discontented generations that are gradually, for better or for worse, remoulding Spain. His nostalgia of the north, of fjords where fir trees hang over black tidal waters, of blonde people cheerfully orderly in rectangular blue-tiled towns, became the gospel of Europeanization, of wholesale destruction of all that was individual, savage, African in the Spanish tradition. Rebus et factis. And yet none of the things and acts do much to explain the peculiar radiance of his memory, the jovial tenderness with which people tell one about him. The immanence of the man is such that even an outsider, one who like the milk boy at the funeral of Galdós meets the procession accidentally with another errand in his head, is drawn in almost without knowing it. It's impossible to think of him buried in a box in unconsecrated ground in the Cementerio Civil. In Madrid, in the little garden of the Institución where he used to teach the children, in front of a certain open fire in a certain house at El Pardo where they say he loved to sit and talk, I used to half expect to meet him, that some friend would take me to see him as they took people to see Cid in San Pedro de Cardeña.

Cara tiene de hermosura
muy hermosa y colorada;
los ojos igual abiertos
muy apuesta la su barba
Non parece que está muerto
antes vivo semejaba.

II

Although Miguel de Unamuno was recently condemned to fifteen years' imprisonment for lèse majesté for some remark made in an article published in a Valencia paper, no attempt has been made either to make him serve the term or to remove him from the chair of Greek at the University of Salamanca. Which proves something about the efficiency of the stand Giner de los Ríos and his friends made fifty years before. Furthermore, at the time of the revolutionary attempt of August, 1917, the removal of Bestiero from his chair caused so many of the faculty to resign and such universal protest that he was reinstated although an actual member of the revolutionary committee and at that time under sentence for life. In 1875 after the fall of the republic it had been in the face of universal popular reaction that the Krausistas founded their free university. The lump is leavened.

But Unamuno. A Basque from the country of Loyola, living in Salamanca in the highest coldest part of the plateau of old Castile, in many senses the opposite of Giner de los Ríos, who was austere as a man on a long pleasant walk doesn't overeat or overdrink so that the walk may be longer and pleasanter, while Unamuno is austere religiously, mystically. Giner de los Ríos was the champion of life, Unamuno is the champion of death. Here is his creed, one of his creeds, from the preface of the Vida de Don Quijote y Sancho:

"There is no future: there is never a future. This thing they call the future is one of the greatest lies. To-day is the real future. What will we be to-morrow? There is no to-morrow. What about us to-day, now; that is the only question.

Instead of the rationalists and humanists of the North, Unamuno's idols are the mystics and saints and sensualists of Castile, hard stalwart men who walked with God, Loyola, Torquemada, Pizarro, Narváez, who governed with whips and thumbscrews and drank death down greedily like heady wine. He is excited by the amorous madness of the mysticism of Santa Teresa and San Juan de la Cruz. His religion is paradoxical, unreasonable, of faith alone, full of furious yearning other-worldliness. His style, it follows perforce, is headlong, gruff, redundant, full of tremendous pounding phrases. There is a vigorous angry insistence about his dogmas that makes his essays unforgettable, even if one objects as violently as I do to his asceticism and death-worship. There is an anarchic fury about his crying in the wilderness that will win many a man from the fleshpots and chain gangs.

In the apse of the old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters of plump little naked people fall away into space from under his feet. There are moments in "Del Sentimiento Trágico de la Vida" and in the "Vida de Don Quijote y Sancho" when in the rolling earthy Castilian phrases one can feel the brandishing of the sword of that very angel. Not for nothing does Unamuno live in the rust and saffron-colored town of Salamanca in the midst of bare red hills that bulge against an enormous flat sky in which the clouds look like piles of granite, like floating cathedrals, they are so solid, heavy, ominous. A country where barrenness and the sweep of cold wind and the lash of strong wine have made people's minds ingrow into the hereafter, where the clouds have been tramped by the angry feet of the destroying angel. A Patmos for a new Apocalypse. Unamuno is constantly attacking sturdily those who clamor for the modernization, Europeanization of Spanish life and Spanish thought: he is the counterpoise to the northward-yearning apostles of Giner de los Ríos.

In an essay in one of the volumes published by the Residencia de Estudiantes he wrote:

"As can be seen I proceed by what they call arbitrary affirmations, without documentation, without proof, outside of a modern European logic, disdainful of its methods.

The typical tree of Castile is the encina, a kind of live-oak that grows low with dense bluish foliage and a ribbed, knotted and contorted trunk; it always grows singly and on dry hills. On the roads one meets lean men with knotted hands and brown sun-wizened faces that seem brothers to the encinas of their country. The thought of Unamuno, emphatic, lonely, contorted, hammered into homely violent phrases, oak-tough, oak-twisted, is brother to the men on the roads and to the encinas on the hills of Castile.

This from the end of "Del Sentimiento Trágico de la Vida":

"And in this critical century, Don Quixote has also contaminated himself with criticism, and he must charge against himself, victim of intellectualism and sentimentalism, who when he is most sincere appears most affected. The poor man wants to rationalize the irrational, and irrationalize the rational. And he falls victim of the inevitable despair of a rationalism century, of which the greatest victims were Tolstoy and Nietzsche. Out of despair he enters into the heroic fury of that Quixote of thought who broke out of the cloister, Giordano Bruno, and makes himself awakener of sleeping souls, 'dormitantium animorum excubitor,' as the ex-Dominican says of himself, he who wrote: 'Heroic love is proper to superior natures called insane--insane, not because they do not know--non sanno--but because they know too much--soprasanno--.'